The
Old Howard
I was 14 in the fall of 1956. My mother had driven me to Boston
innumerable times for therapy at
Children’s Hospital (I had Polio at age six), but this was not a
casual trip
for me. I had a grand deception planned and its execution involved an
outright
lie. I had told my parents that school started on Tuesday following
Thanksgiving recess. Classes actually didn’t begin until
Wednesday, and I had
made plans to spend the night in Boston
to see the burlesque. Although I was an academic and social misfit, I
had
developed a mastery of the game of poker in my first year at The
Holderness
School. I played strictly by the odds and had $45 in winnings to
finance my
adventure. I always felt that my parents could read my mind, and I
thought that
on this long intimate drive into Boston
my mother would surely become aware of my deceit. I felt like I was
holding my
breath for the entire two hour trip, but my mother remained chatty and
apparently innocent of my subterfuge. We parked. My mother walked with
me to
the platform. She lingered there at the door of the first car, gave me
a big
hug and told me how proud she was that I was doing better at school and
how
much she loved me and a bunch of other stuff which made me feel like
the
earth’s lowest form of life. I got on the train ready to abandon
the entire
dirty little enterprise.
As I walked down the isle of car after car, my confidence returned. My
scheme
was actually going along exactly as I had plotted it for so many weeks.
I could
hear the conductor announcing the train’s destinations,
“White River Junction, Plymouth,
New Hampshire…”
as I descended the steps of the last car
before the great steaming locomotive. I slipped in behind the platform
column
where I watched through the vapors as the distant figure of my mother
waved
goodbye to her beloved son and dabbed her eyes with her handkerchief.
By the
time the steam from the departing train had cleared, she was gone. With
mixed
emotion I realized that I had made good my escape.
The next step of my plan was easy. I went upstairs from North Station
and for
$8 registered myself in a room at the Manger Hotel. Once there, I
changed out
of my blue blazer and tie and into jeans and a sweater. Then I was off
to Haymarket Square.
I
was pretty familiar with the Market. When time allowed on our frequent
trips to
Children’s Hospital, my mother would bring me to Durgan Park
for lunch. I was young, probably seven or eight, the first time she
brought me
there. The butchers with their aprons covered with blood from the
morning’s
work, the short, dark foreign looking men who sold produce from the
pushcarts
jammed up side by side along Congress and State Streets and the gruff
waitresses demanding that I make up my mind, at first scared and
confused me,
but over the years, I had grown familiar with the sights and sounds and
smell
of Haymarket Square.
My mother introduced me to the Union Oyster House with its low ceilings
and its
labyrinth of little rooms with what seemed like no square corners. It
lacked
the symmetry I was accustomed to in old “five over four and a
door” New England
architecture. The place had been built to conform to the winding street
abutting it, and even the gabled roof was devoid of any two parallel
lines.
My father, who occasionally relieved my mother of the tedious drive to
Children’s Hospital, took me to Jake E. Worth’s where we
ate fat German
sausages buried under heaps of sauerkraut. I remember it as loud. Men
at the
bar were sometimes singing or in heated discussions over large steins
of beer.
The floor was so covered with peanut shells that I never knew if it was
wood or
just dirt. A waitress there once yelled at me for putting peanut shells
in the
ashtray at our table. She treated it as a serious breach of manners and
flung
the offending shells on the floor.
And the Old Howard; everyone knew about the Old Howard; the name was
synonymous
with burlesque. I had walked by it, with my parents, wondering what the
marquis
said, not daring turn to look but getting glimpses of posters which
only fired my
adolescent imagination. I commit these memories to writing for the
first time
in 45 years, but I remember the marquise that night. Headliner was
Virginia
Belle, a well endowed stripper whose claim to fame was that she could
twirl her
tassels simultaneously in opposite directions. The posters showed no
private
parts directly, but if she were to just turn a bit, they would. The
sign on the
glass ticket booth window said “No One Under 17 Allowed.” I
stood up as tall as
possible and addressed the ticket agent in the deepest voice my
changing vocal
chords could muster. I thought I had done pretty well because the guy
never
even questioned my age.
I remember the black faced routines with side men telling off-colored
jokes. I
remember the fat guy who sat beside me and kept getting real excited
and leaned
way to far over on my seat. It was hard to pay much attention to the
fat guy
because I was watching Virginia
actually living up to the claims of the posters. There was a wooden
Indian
standing in the corner upon which she began to rub as part of her strip
routine. As she rubbed, the Indian’s crotch began to glow with a
purple
fluorescent light. The more clothes she removed and the more she
rubbed, the
brighter the light in the Indians crotch got until it became a huge
erection.
The climax of the show came when Virginia
twirled 'em in two directions and the light in the Indian’s
crotch flashed on
and off. I guessed it was the climax for the fat guy sitting next to me
because
he was breathing hard and grunting and shaking the seat before I
realized that
he was masturbating right there beside me. I was pretty disgusted but
mostly
annoyed that he was leaning over onto my seat so that he was almost
crushing
me. I was dealing with my own physiology while watching a grown woman
in a “G”
string and pasties that just covered her areoles. Why was this guy
leaning on
me? I looked in the dim light of the theater, just long enough to see
that the
fat guy wasn’t looking at Virginia Belle at all; he was looking
at me. All of a
sudden I thought he was going to drool on me, or worse, so I gave him a
hearty
shove with both hands. He looked limp and scary, as though he liked it,
and
slumped back on me. The seats were sparsely populated so I moved down a
few
rows. The fat guy made no move to follow. Meanwhile, the wooden Indian
had been
replaced by a live Zoro character with flat brimmed black hat and Lone
Ranger
mask and real tight pants. Virginia
rubbed on him until they had to turn the lights out and draw the
curtain.
Suddenly the lights were on and everyone was getting up, headed for the
doors.
It was all a little abrupt for me. I had to stand up and walk out of
there with
an uncontrollable autonomous erection at which (after the incident with
the fat
guy) I was sure every one was looking.
I woke up the next morning feeling quite grown up and accomplished,
showered
hot ’til I was wrinkled and wondered briefly whether I should
make the bed or
not. Decided not to. Casually tossed the key on the checkout counter
thinking
myself quite cool and grown up, got almost to the door before the clerk
asked
me if I didn’t want my receipt? I thought I saw a smirk on his
face, but so
what if he knew I was a 14 year old hick kid from Warren, I had been to
the Old
Howard and had seen Virginia Belle twirl ‘em and almost fuck that
Zoro guy on
stage, and have some faggot drool on me. Anyhow I’d never see
that guy again.
I carried my suitcase down the stairs to the platform. I saw little
groups of
parents, some with kids who were my classmates. I lit a Camel &
walked past
them to the very end of the platform by the steaming engines. I watched
the
mothers of prep school boys wave goodbye to their beloved sons and dab
their
eyes with their handkerchiefs.